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  CM500TD
FSI CM500TD - 10 bit Native 2D/3D Monitor


 
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This is an oversized item and requires a manual shipping rate quote. After you place your order an FSI representative will provide you with shipping options and rates as well as a separate link to pay for your specific shipping charge. If you order other items with this monitor the online store will provide a shipping quote for just the smaller items, separate shipping charges will still apply for the CM500TD.
Price: $7,495.00

Availability: Ships approximately 4 to 5 weeks after receipt of order & payment
Product Code: CM500TD
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Description Technical Specs More Info...
 

The Flanders Scientific CM500TD is a 50” Multi-Format reference monitor with 3G/Dual-Link/HD/SD-SDI, Component, Composite, & DVI-I Inputs. As a flagship CM series monitor the CM500TD delivers the highest level of performance available within the FSI product lineup. This unit features full 12-bit video processing and a 10-bit panel capable of reproducing over 1.073 billion colors on screen. The monitor is also equipped with a passive circular polarizer and in-monitor multiplexing allowing for easy and affordable 3D monitoring in addition to its already capable 2D monitoring modes. The CM500TD offers support for virtually any signal format from NTSC/PAL to HD and 2K, including advanced 12-bit, 4:4:4, and XYZ signal formats. This monitor was purpose built for color critical evaluation in the most demanding applications within postproduction, broadcast, and on-set monitoring environments.

This unit features many broadcast monitor basics like a Blue Only Mode, Monochrome Mode, Markers, Safety Areas, H/V Delay, and On Screen Tally Lights. Like all Flanders Scientific monitors the CM500TD also comes standard with advanced features like 13 Selectable Scopes, Focus Assist, Time Code Display, Audio Disembedding, Audio Level Meters, Artifact Free Pixel Zoom, Adjustable Exposure Check, On-screen Alarms, and Advanced Pixel Level Measurement. This unit also provides additional advanced capabilities including live side-by-side monitoring of 2 inputs and dual LUT import capabilities (both look LUTs and calibration LUTs).


Color space management is handled by our CFE2 Color Fidelity Engine. This advanced second generation 3D LUT processor ensures a high degree of accuracy in any color space mode. Select between Rec 709, EBU, SMPTE-C, DCI-P3 Emulation, Native Wide Gamut, and Custom User Generated color spaces. CFE2 supports custom calibration LUTs as well as look LUTs that do not require profiling of the panel with a probe before import (e.g. BlackMagic Design Film Mode to Rec 709 LUT, LogC to Rec 709 LUT, etc.)


In addition to the CFE2 capabilities the monitor comes equipped with instantly selectable gamma, peak luminance, and color temperature presets, which add to the flexibility of this unit and make it suitable for a wide variety of applications and environments. Like all FSI monitors the CM500TD comes pre-calibrated from the factory and free recalibration is always available for customers that would like to send their units in to one of FSI’s service departments. In addition to this free recalibration option the CM500TD also features a wide variety of manual calibration toggles, interfaces with FSI’s Direct Connect Automatic Alignment System, and is also compatible with advanced color management systems like LightIllusion’s LightSpace CMS or SpectralCal’s CalMan allowing you to choose the color management option that works best for you.

The CM500TD is equipped with 3Gbps SDI (SMPTE 425M-AB) & Dual-Link SDI (SMPTE 372M) inputs, which provide support for advanced formats including 4:4:4 RGB, 4:4:4 YCbCr, and 4:4:4 XYZ signals. With support of both Level A and Level B 3Gbps SDI the CM500TD is compatible with virtually all 3Gbps SDI sources and provides many advanced viewing modes for multiplexed (2x SMPTE 292M) Level B signals as explained here.

The CM500TD comes with standard DC (24V) and AC (100~240 VAC) power connectors. Every CM500TD is equipped with pedestal feet allowing the unit to be placed directly on a work surface. The unit also features simple mounting holes on the back allowing for easy wall mounting with just about any generic wall mount capable of supporting at least 60lbs of weight.

The CM500TD is FSI’s largest monitor and an especially good choice for those looking to move to a single monitor setup for both editor/colorist and client viewing in suites that will support a monitor of this size.

Features
  • 1920x1080 Resolution 2D/3D HD LCD Panel
  • 12 Bit Video Processing, 10 Bit LCD Panel (1.073 Billion Colors)
  • CFE2 Color Management, supports both look LUTs and calibration LUTs
  • Simultaneous Viewing of Two Inputs, mixed formats supported
  • Instantly Selectable Rec 709, EBU, SMPTE C, DCI P3 Emulation, Native Wide Gamut, & Custom User Created Color Spaces
  • Standard 3Gbps (Level A&B) & Dual-Link SDI Inputs Included for Support of Advanced Signal Formats
  • 4:4:4 YCbCr, RGB, & XYZ Signal Support
  • Embedded Timecode Display (VITC 1, VITC2, LTC)
  • Automatic On-Screen Indication of Source Frame-rate & Resolution (toggle on, off, or 5 second display)
  • DSLR Zoom for Full Screen Scaling of DSLR Sources
  • On-Screen Alarms (IRE Threshold, RGB Alarms, Loss of Signal, Audio Mute, and more)
  • Adjustable Focus Assist (Focus Meter and Focus Highlight in Red)
  • Wide Variety of Standard Markers & Safety Areas
  • User Adjustable Custom Marker Feature
  • Pixel Zoom Feature - Adjustable Artifact-Free Zoom On Any Portion of HD Signal
  • CX Scale (video example): Full Screen and centered scaling of Codex ARRIRAW Recorder output
  • Active Video Boundary Marker
  • H/V Delay
  • Blue Only Mode
  • Monochrome Mode
  • HD Anamorphic De-Squeeze (1.3x, 2.0x, 2.0xMag)
  • AFD Reader
  • Overscan/1:1 scan
  • Freeze Frame Picture by Picture (Sub Window)
  • 13 Quickly Selectable Scopes (Display Up to 2 at the Same Time)
    • Luminance Waveform with Adjustable Intensity
    • Vector Scope with Adjustable Intensity and Gain Expansion
    • Hue Vector Scope with Adjustable Reference Vector
    • Color Coded RGB Parade with Adjustable Intensity
    • Color Coded GBR Parade with Adjustable Intensity
    • RGB Overlay with Adjustable Intensity
    • Column Scope Showing Min/Max YRGB Range
    • Histogram, Color Histogram, & RGB Histogram Scopes
    • YCbCr Scope with Adjustable Intensity
    • YCbCr Overlay Scope with Adjustable Intensity
    • Audio Phase Meter (Select Any Stereo Pair of Embedded Audio Channels)
  • Audio Disembedding to Built-In Speakers or Audio Output
  • 16 Channel Audio Level Meters
  • Color Temperature Selection
  • Gamma Selection (1.0~2.8) as well as C-Log and S-Log monitoring modes
  • SD Aspect Ratio Selection (Anamorphic/4:3)
  • Advanced Pixel Level Measurement Feature
  • 3D Viewing with Passive Glasses (included)
  • In-Monitor Multiplexing of signals for 3D Viewing (no external mux required)
  • 3D Signal Analysis Modes for multiplexed Level B 3Gbps SDI signals
    • Left Eye Only
    • Right Eye Only
    • Picture and Picture
    • Horizontal Split with Adjustable Split Position
    • Vertical Split with Adjustable Split Position
    • 3D Disparity
    • 3D Line by Line
    • 3D Checkerboard with Adjustable Checkerboard Size
  • Exposure Level Indication with LUM Coloring feature
  • On Screen Tally Lights
  • Camera Record Status Indication triggered by Camera SDI Flag
  • Ethernet Ready* (*not ready at product launch, will be added via firmware in future)
  • AC (100~240V) and DC (24V 4PIN XLR) Power Connectors
  • Durable Diecast Aluminum Frame
  • Compatible with FSI's Direct Connect Automatic Alignment as well as LightIllusion's LightSpace CMS
All FSI monitors come standard with 13 On-Screen Scopes. Up to two types of Scopes can be displayed simultaneously and can be toggled on/off instantly with a single button press. Scope Windows can be displayed in any of 6 onscreen locations and the two scope windows can be stacked on top of each other or sit side by side for maximum flexibility. FSI is also one of the few companies to provide this scope functionality across all inputs, even DVI. This means that full scope functionality is possible while using many of today's most popular HD-DSLR cameras that only offer HDMI output.

  • Luminance Luminance
  • Vector Scope Vector Scope
  • Hue Vector Scope Hue Vector *
  • RGB Parade RGB Parade
  • GBR Parade GBR Parade
  • Color Histogram Color Histogram
  • Y Cb Cr Y Cb Cr
  • RGB Histogram RGB Histogram
  • Columb YRGB Column (YRGB)
  • Histogram Histogram
  • Y Cb Cr Overlay Y Cb Cr Overlay
  • RGB Overlay RGB Overlay
  • Audio Phase Audio Phase Meter
  • Horizontal Audio Meters Horizontal Audio Meters
  • Vertical Audio Meters Vertical Audio Meters

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